Women’s Presses Tweak Their Business Models

From Publishers Weekly [1]:

Approximately a dozen women’s presses are actively publishing in the U.S. today, down from about 30 during the 1990s, when feminist publishing and bookselling were at their peak. There are, additionally, several women’s presses sporadically publishing, and a few others putting out regional titles with limited distribution.

While fewer presses specialize in feminist books, those doing so are holding their own in the marketplace, and a few are thriving. Most of the presses contacted by PW reported that sales are steady, while Aunt Lute Books reported a 20% increase in sales this past year, and Seal Press reported a 23% increase.

Several of these publishers are maintaining their viability by redefining what it means to be a feminist press or expanding their operations. All are focusing on publishing books that do well in backlist, such as Seal’s fall 2012 release of Lynn Fairweather’s Stop Signs, a title about domestic violence that the press hopes will generate the same kind of sales as a related 1982 release, Getting Free (100,000 copies), did.

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